Flipping for Florals

It’s no surprise that nature-based themes have dominated the runways for Spring Summer 2020. With the spotlight turned to climate change and the fashion industry’s growing concern regarding its carbon footprint, influential print and pattern trends have featured floral gardens, wild jungles, forests and oceans at New York, London, Paris and Milan Fashion Week.





From abstract palm leaf motifs to vivid blooms, designer’s Valentino, Erdem, and D&G did it best, with Versace taking a leaf out of J. Lo’s book by recreating her acclaimed “naked dress” from the 2000 Grammy Awards at Milan Fashion Week. Opening Paris Fashion Week, Christian Dior lined the runway with an avenue of trees totalling 164, which were replanted following the show.

Designers who featured the theme include Erdem, Carolina Herrera, Simone Rocha, Tory Burch, Paco Rabanne, Max Mara, Dries Van Noten and Marni. While the Northern hemisphere ramps up for Spring and we enjoy long sun-soaked Summer days, stay in style with the best in luxury, designer and vintage pre-owned fashion at the Changing Room.


By |2020-02-08T09:34:14+02:00Feb 7th, 2020|Authenticated Luxury Fashion|

Rent vs Buy; will luxury survive?

Renting luxury goods has become a thing. A huge thing!  The concept was introduced on a global scale by American online store, Rent The Runway, in 2009. The subscription service offers members access to luxury brands for everyday and occasional wear. 

US retail giants American Eagle, Urban Outfitters, Macy’s, Banana Republic, Bloomingdales followed suit. And more recently, Vogue announced that Cocoon, a similar setup popped up in the UK, offering consumers handbags from 30 luxury brands.  Membership fees range from $200 for six months in the US, to £99 sterling across the pond, each value at least one fifth of the cost of owning a luxury item.

One school of thought fingers Millenials and Generation Z for the rise in rental popularity. Entitlement and instant gratification in the absence of ‘work for reward’ ethics has a young society scrambling for the latest and greatest by any means. Add peer pressure and the stigma attached to not being seen in the same outfit twice on Instagram and we have an online portal to fashion freedom.  It’s therefore no surprise that the global market for luxury rental has a projected value of $1.96 billion by 2023. 

For all intents and purposes, sartorial happiness reigns as fashion is making money again. Right? Well, not according to luxury and sustainability critics. And we at The Changing Room agree. 

The Essence of Luxury
There’s no consensus to the true definition of luxury. Micheal Kors once said, ‘For me, true luxury can be caviar or a day with no meetings, no appointments and no schedule”. Coco Chanel described it as the absence of vulgarity while Hubert de Givenchy professed that luxury lived in each detail. These sentiments all express a similarity; luxury is a rare, nonessential desire for goods from design houses which carry heritage, tradition, opulence, quality and craftsmanship. 

By deduction, luxury cannot exist in an environment of mass consumerism. Having goods available en masse is to dilute its very essence.

Is Renting Sustainable?
The jury is still out whether renting luxury goods supports sustainability. Formal stats have not yet been released on the practice’s carbon footprint so logic needs to be applied. The increased volume and regularity of shipping and courier deliveries far exceed that of seasonal collections to stores and infrequent shoppers. By default, carbon emissions are skyrocketing in proportion. Secondly, each rented garment needs to be dry cleaned, regardless of whether it’s been worn. Throw in fresh plastic and cardboard packaging for each rental order and suddenly things are not looking as environmentally friendly as initially perceived.

What about consumerism?
Supply and demand needs no explanation but warrants a mention. The popularity of renting demands an increase in production for the purpose of availability to a larger customer base. Is that not the very definition of mass consumerism? 

There’s a je ne sais quoi about luxury; pre-owned or new. In our opinion, renting dilutes luxury’s appeal, and is simply another form of mass marketing to increase consumerism. 

We’d love to hear your views. Please pop a comment below and share your views on renting vs buying.

By |2019-12-31T09:22:59+02:00Dec 19th, 2019|Authenticated Luxury Fashion|

Why Burberry brought tartan back.

Legendary Burberry creative director Christopher Bailey, left the design house in March 2018, after a rollercoaster ride of 17 years. His Spring / Summer 2018 show a year before, was the key at London Fashion Week. It saw the return of Burberry’s tartan after an absence of almost two decades.

The check revival collection was created after a collaboration with Russian skater brand designer, Gosha Rubchinskiy. Ironic, since its Burberry’s affiliation with streetwear – and one paparazzi shot – which had knocked the design house from its luxury pedestal in the first place.

The significance of Bailey’s collection in making Burberry great again, awards the opportunity to revisit the brand’s archives; its history steeped in British classism, society’s interpretations of luxury, and a pop culture status inextricably woven into the world’s most recognisable pattern, Nova check. 

The history

Burberry’s of London was founded in 1856 by Thomas Burberry, then aged 21. He rolled out the coat 20 years later made from a waterproof gaberdine which he had diosciovered and pattened. And in 1891, opened his first shop in London’s West End at 30 Haymarket, thus making Burberry a household name. 

The trench was such a trusted must-have that it became standard issue for officers during World War I (1914 – 1919), thereby coining the name, ‘trench coat’. Also favoured by aviators and arctic explorers, Burberry was known as an outdoor brand prior to reaching luxury status.

The iconic check was created in the 1920’s; a Scottich tartan of black, red and white on a beige background. Originally used as lining, it only saw daylight 40 years later when the manager of Burberry Paris, seeking a pop of colour, hung a coat with the hem facing out. Customers fell in love! prompting the company to produce several hundred umbrellas which sold out.

Cashmere scarves followed suit and immediately Nova check became to Burberry what the doubles C’s are to Chanel; an instantly recognisable symbol of quality and luxury.

The good ol’ days

The brand became a status symbol among the Brit elite in the 70’s and 80’s. Its ostentatious yet stylish design highly favoured by the ‘stuffy pearls- and-paisley-cravats’ brigade of Sloane Square, as well as the creative crowd who’s fingers drummed out the beat and pulse of trendy London. Burberry’s popularity peaked when it appeared in the Sloane Rangers Handbook, the bible of the  fashionable uppercrust set led by Princess Diana. 

The fall from grace

As the label reached luxury status symbolising financial wealth, the working class also wanted in, if only for the sake of appearance. Here’s where the pattern fell victim to its own popularity.

Classism in the UK is a complex socio-economic issue  which requires in-depth and sensitive analysis. In brief, the snobby, privileged are leveraged by the have-nots. ‘Chav’ is term a derogatory term for the Brit working class used in conjunction with football hooliganism, anti-social behaviour, poverty and from a sartorial persspective, sportswear.

Heading into the late 90’s logo wave hit hard and fast, adorning everything from Gucci belts to Chanel purses. As a sign of financial arrival, Burberry’s check cap, priced at only £50, became an entry level acquisition for ‘chavs’. Burberry HQ may not have been happy about a luxury brand’s association with the working class but ‘we don’t want money’ said no one ever. An attempt to ride the logo wave culminated in thier 2000 Kate Moss ‘Wedding’ campaign which was checked from bride to bestman.

The defining chav statement reared its ugly head by photobombing a paparazzi shot in 2004. Brit Eastenders soap star Danielle Westbrook, equally known for her cocaine habit was spotted on the high street draped in check hat, bag, scarf and tights with her baby in a matching skirt and stroller. This cemented Nova check as the ultimate nouveau riche symbol, and the upper crust disappeared like a Baker’s tennis biscuit in hot tea. British high streets abandoned stocking the brand, heralding the end of Burberry in the UK, as sales registered only 15% on home soil.

The money game

On the flip side, it gained success across the pond. Burberry exploded onto the international market licensing products left, right and centre stage. JayZ serenaded a Burberry bikini-clad Beyonce in their 2002 musical collaboration, ‘03 Bonnie and Clyde’. UK and Eastern European football fans madethe check their own coining the less complimentary term,‘Burberry lads’. Copycats also clamoured onto the check bandwagon, kicking luxury status into the gutter en route to counterfeit.

Those caps proved the strength and power of branding. Sadly, it also hailed the demise of a brand which lost control of its intended market. Something needed to be done. Quickly. 

The Comeback

Christopher Bailey, joined Burberry in 2001, faced with a daunting task of cleaning the streets of Burberry check caps. To regain the reins of a once luxurious brand, he started by severing the beast’s head.  Alongside then CEO Angela Ahrens, they pulled licensing, discontinued the cap, and streamlined the check from 20% to 5% of Burberry’s prodution line.

As expected, profits circled the drain when Chinese shoppers pulled the plug on their interest in the brand. By 2015, shareholders took a 75% pay cut from £7.5m to £1.9m.  

A revolution was needed to resurrect this dying brand. In a strange twist of fate, the concept required to bring Burberry back was on its proverbial doorstep. 

The Tribute

10 years on from the Dannielle Westbrook’s photo, athleisure became the normcore, the working class aesthetic modelled the urban landscape and chav was no longer a term in use. So, when Russian streetwear hero Gosha Rubchinky approached Chritopher Bailey for a collab, it signified a complete 180 from what had been done to clean the brand up. However, as he (Bailey) explained, His reinterpretation of some of our most iconic designs feels exciting, new and relevant whilst paying enormous respect to their British cultural heritage.” 

As broad as this statement may appear, the concept signaled a tribute to the ubiquitious design which brought Burberry fame in the first place. Bailey drenched his SS2018 show in check; on coats, gilets, dresses, bags and caps. In so doing, the return of Nova check has made Burberry the most sought after luxury brand in the pre-owned market. And you can shop it The Changing Room right HERE

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By |2019-11-18T12:35:30+02:00Nov 16th, 2019|Authenticated Luxury Fashion|

Pre-owned Luxury is The New Black

There’s a subtle consumer paradigm wedged between the bastions of designer exclusivity and fast fashion consumerism. Initially driven by millennials in pursuit of accessible labels, and now a growing movement towards eco-friendly practices, buying pre-owned luxury goods has become a global phenomenon.

In 2018, Reuters reported that “Second-hand fashion, once confined to thrift stores, is outstripping sales growth in the primary luxury goods sector” by 400%. The estimated worth of $25b unequivocally proves that the stigma attached to the secondhand luxury goods market is evaporating. While established brands initially regarded pre-owned as the country cousin, they’d be remiss in gaining a share hold in such a lucrative market. In 2017, Stella McCartney collaborated with an American resale company by offering consumers a $100 credit for consigning her goods on their website. In so doing, she increased circular foot traffic for her own brand and simultaneously instilled confidence in the secondary market.

The defining moment when mindful consumption became the new black is undocumented. However, it’s undeniable that The Fashion Revolution, dedicated to ethical garment production, is a major contributor to buying consciously. This global movement was born of The True Cost of Fashion, the 2015 documentary by Andrew Morgan which brought to light the devastating effects of fast fashion on the environment and disregard for human life.

An alternate theory is the dichotomy of consumers buying too much versus retailers selling too little. Our wardrobes are stuffed with nothing to wear while brands like Burberry had their wrists slapped for burning unsold goods to the value of $34.6m as at the end of 2018. Volume has kicked discernment to the curb.

Fortunately, the subtle consumer shift towards greenhouse reduction is gaining traction. Veganism has highlighted the plight of abused animals, climate change is destroying entire communities, the war on ocean waste plastic is relentless, and Namaste is a greeting as firmly entrenched into the South African vocabulary as Howzit. 

One way or another, we cannot deny that the marriage of carbon neutrality to financial prosperity has made consciousness cool again.

How do all these fancy words benefit us, perched at the bottom of Africa? 

In essence; choice! Quality connoisseurs may now enjoy the luxury of choosing to shop from any international designer without having to cross the equator. We may find that limited edition Louis Vuitton or elusive Hermes Birkin. From timeless Chanel to trendy Gucci, SouthAfricans have the opportunity to add that dream brand to their sartorial arsenal without the guilt of environmental assault. And without that offensive stigma called hand-me-down.

Pre-owned luxury doesn’t solely allow VIP access to designer brands; we ain’t just going it for the ’gram. It’s also about living a conscious lifestyle, stylishly.

By |2019-11-16T18:33:22+02:00Oct 16th, 2019|Authenticated Luxury Fashion|